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20-01-2021: CNO-GRANDE updated with new SEAS W18NX003 and new
W12CY006 drivers.
See below.
CNO-GRANDE is the third speaker in a range of upgraded and new CNO constructions.
First one was
CNO-mkIII, the second
CNO-25-mkII and here icing of the cake from 2 x W18NX003 + W12CY003-edge-coated + T29CF002.
The virtues of adding a small 4" midrange driver has been discussed in
detail in the intro
here.
The CNO speakers have been the best selling kits from the SEAS portfolio
- and for good reasons. These nextel coated SEAS drivers just sounds
great and have found their way into some serious high-end speakers as
observed at the Munich High-End Show in recent years.
Some of the writing below is copy-paste from CNO-mkIII and CNO-25-mkII.
I apologise should you find this tedious, but using the same drivers the
qualities described goes for all.
If you want to change your CNO-25 to CNO-GRANDE, you must make a list of the coils and caps you have. For
caps value and brand. For coils value and DCR.
Send this to Jantzen
Audio and they'll see what can be taken out of the kit. Be prepared that
only a few components can be reused.
All of the new CNO constructions will require new cabinets.
My previous designs featured 4th order series crossovers. I had a
crush on series crossovers back then and still don't mind series
crossovers at all and sometimes we can find very simple solutions with
series crossover like the
8008-CORNER, a crossover that could not have been made as simple
from a standard parallel crossover. We never can tell before we have our
final cabinets and drivers in place and start modeling and set up test
crossovers to see and hear what works and what doesn't.
The Nextel coated drivers can do with a lot less than 4th order
crossovers as can be seen here from the SEAS W18NX001 driver mounted on
the
Jenzen cabinets. The W18NX can be run 1st order by simple means, but
whether this sounds good is to be heard. Just because something works
technically doesn't automatically produce the best sound. It doesn't
work that way. W18NX001* also features a glass fiber voice coil former,
ensuring high Qm, i.e. good dynamics.
*: 2021: CNO-GRANDE now updated with the new
W18NX003
and
W12CY006 drivers. This without any change to crossover.
It's been quite some time since I last heard these Nextel coated drivers
- and I'd forgotten how good they are. The updated 18WNX003 very much reminds me of my
current Ellipticor 18WE drivers. These SEAS drivers are as easy on
crossovers as the Ellipticors.
With default tweeter attenuation these speakers deliver a smooth and
balanced presentation with decent bass given their size.
I also have to say my front-end is much better than back then. I really didn't hear what these drivers could
do when I did my first CNO.
The smooth response of the mid-bass drivers and shallow crossover
present a naturalness and ease of listening I have come to appreciate
from my reference speaker.
A key component in this study is the edge-coated W12CY003 midrange
driver, only available from Janzen Audio. Adding the edge-coating to the
W12 drivers makes it the most linear 4" driver I've ever had - and I've
had a lot over the years.
In a study presented
here,
I try digging into the importance of low linear
distortion, in particular in the 800-2000 Hz range, where we often have
rubber resonances from the surround causing rapid change in amplitude
and phase and significantly impacts the sound perceived. In short, the
dip in frequency response often seen here causes a rapid change in phase
and creates a presence feeling that may be seducing to the ear as it
projects the soundstage forward into the room, where in fact, the music
should start at the plane of the front panel and extend as deep as
possible behind the speaker. BTW: I've always found 4. order filters to
have this presence effect, which may be desirable and taste cannot be
argued. A study was performed with a 4" midrange driver having a
significant dip at 1.5 kHz and where an edge-coating of the rubber
surround produced ruler-flat amplitude and phase. The two drivers were
tuned to exactly the same amplitude, and basically having the same
frequency response, except for the dip and phase shift of one driver,
were set up aside and run full-range covered with a front grille. People
were invited for a blind test to evaluate the sound and every single
person was shocked when he were told what they'd be listening to. But
follow the link to learn more. For my self this study has meant I'll
never again go into a
demo room without thinking what kind of linear distortion I may be
subjected to.
My hopes were high on the addition of the ever-so-smooth edge-coated
W12CY003 midrange driver. I'd been enjoying the CNO-25-mkII for quite
some time and how would this extended version perform? Fortunately
I wasn't disappointed. On the contrary, it even exceeded my
expectations by a comfortable margin. All drivers perform perfectly in the crossover regions and
none of the drivers are asked to do more than half of what they can
do in terms of frequency range. The first order crossover to the
midrange low-pass section and tweeter high-pass section here provides a
seamless integration with an ever so smooth a credible tonal balance and
timbre that fully pays tribute to oboe, clarinet, cymbals, tambourine
(so tricky to get right), vocals, massed strings - and you name it.
Ideally we would have a driver for each frequency, but having a small
driver bridging a 6" and a dome helps an awful lot and although not
apparent from horizontal dispersion measurements, a 4" driver is an
ideal size for mating two drivers of such difference in radiating area
as 6" and a 1" dome, although it helps the W18NX001 is not a particular
large 6" driver (130 cm^2). All speakers a compromises, but from simple
means - and ideal drivers - we can get a long way.

Listening to he phenomenal 45 rpm LP from Vincent Belanger, the cello
here comes with a credible low-end weight and midrange-treble as good as
any speaker I've had in my room. The overtone structure is
truly amazing - and I'm not done with these Nextel coated drivers.
Equally well the fabulous Domnérus LP with a portrayal of the cathedral
acoustics as good as I have ever heard. I recently bought a bunch of LPs
featuring Lars Danielsson and Paolo Fresu and Paolo Fresu lead me to
Mare Nostrum and some 45 rpm LPs. Very European music. I love it.
The CNO-GRANDE presents a more powerful bass compared to the
CNO-mkIII but similar to CNO-25-mkII. Two mid-bass drivers can obviously move more air compared to a
single driver and although it doesn't go deeper - on paper - it feels
so. Relieving the W18 for upper- mid obviously means we can push these
driver a little harder, thus the -GRANDE can be played louder.
I use the Disque de Demonstration Focal #8 CD a lot for quick
testing of some specific parametres like bass extension and Liane Foly's
Au Fur Et A Mesure proves the speakers capable of a potent bass as
does not least Rachelle Ferrell Sista with its heavy bass
line. Give the W18s some heavy beating for break-in and they deliver.
The increased sensitivity compared to the CNO-mkIII is felt too. My 32 wpc EAR-861 has no
trouble running these 90 dB speakers higher than they should from their 4-8 Ohms
tabs. Here I prefer the 8 Ohms tabs, despite being a4 Ohm speaker. This
always have to be tried.
Oh, and I had forgotten what a phenomenal tweeter this Crescendo T29CF002
is. One of the true high-end tweeters. On top of all this, these EXCEL drivers come with an impeccable finish. Lovely pieces of engineering.
It's been more than a year since I had the prototypes of Jantzen Audio's
new
AMBER-Z copper foil capacitors and I've been using them ever since
for evaluation and crossover fine-tuning. The problem with this is that
you get used to the very best of capacitors and don't want to use anything
else. Fortunately the capacitor for the tweeter here is of rather low
value and maybe money allows to squeeze the last bit of information from
the Crescendo tweeters. I never enjoyed cymbals more since
The Loudspeaker - but that's another story.
Pooling all the Amber-Zs I have I managed to replace also the midrange
capacitors, which I shouldn't have done because now I want them to stay.
Having a very shallow 1st order filter to the W12CY003 driver, the
midrange here mingles well with the tweeter. But price would be
prohibitive and the caps would cost almost as much as the entire speaker
kit itself, but it's a strong indication of the potential of the W12
midrange driver.

Please note phase plugs will be black with updated drivers.
Basics:
3-way, 4-driver speaker
Dimensions: 22 x 30 x 110 cm, WxDxH, plus feet.
System sensitivity: 91 dB/2.8V/1 meter.
Impedance: 4 Ohms, minimum 3.7 Ohms @ 160 Hz.
Point of crossover: 1000 and 4000 Hz, LR2 and 1st order crossovers.
Power requirement: 20+ watts/channel.
Power handling: 160 watts. Please
also read:
http://www.troelsgravesen.dk/power-handling.htm,
and remember any burned driver is a misused driver.
Useful links (Please
follow all links before e-mailing!):
http://www.troelsgravesen.dk/tips.htm
http://www.troelsgravesen.dk/tips.htm#CONSTRUCTION_OF_CROSSOVERS
http://www.troelsgravesen.dk/crossovers.htm
http://www.troelsgravesen.dk/LCR-RC.htm
http://www.troelsgravesen.dk/Inverted-Polarity.htm
http://www.troelsgravesen.dk/choices.htm
http://www.troelsgravesen.dk/power-handling.htm
DRIVERS
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T29CF002. The finish and build quality of this tweeter is nothing short
of magnificent. So is the sound.
Click images to view large

Above the
new W12CY006. Click images to view large.
Edge coating and improved magnet system and titanium
voice coil former.
More info
here.

W18NX003. One of the best midbass drivers I know of. Easy on crossover
and no rubber resonance at ~1 kHz as is all too common.
New titanium voice coil former and improved magnet system ensures high
mechanical Q and improved
dynamics.
Check here:
http://www.troelsgravesen.dk/SEAS-W18NX003.htm
Download driver specs:
T29CF002
W12CY006
W18NX003
(The W12CY003 data sheet here is not applicable to the driver supplied
with the kit. See measuring data below)
CROSSOVER
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The crossover hardly gets less simple than this. A mix of LR2 profile
and 1st order filters makes perfect phase integration from the stepped
baffle providing proper time-alignment of midrange and tweeter. At the
point of crossover between bass and midrange, the wavelength is so long,
time-alignment really doesn't matter.
The kit is supplied with two pairs of binding posts for each speaker
allowing you to bi-wire the speaker should this be preferred.
CABINET
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The cabinet volume is ~42 litres, giving an F3 = 42 Hz. Two port is
tuned to 42 Hz from Ø68 x 70 mm.
Key issue here is having the correct panel width and drivers' placement
with regard to the top of the cabinet. The outer front panel sides are
chamfered 45 deg. to a depth of 15 mm. Top of outer front panel is
chamfered 20°.
Place bass crossover on front panel and mid-tweeter section on bottom
panel. If you want to by-wire, add two pairs of binding posts to your
order.
Place crossover at bottom of cabinet and attach bottom panel B with
screws for access to the crossover.

With the updated drivers, the phase plugs will be black.
Flat pack or finished cabinets can be purchased from
EBEL Holztechnik, Germany.
Workshop images
Also check
CNO-mkIII and
CNO-25-mkII for ideas.

CNO-GRANDE cabinet shaping up. My prototypes had the rear panel attached
by screws for any possible modification. I suggest only the bottom panel
being attached by screws for access to the crossover as show on drawing.


I used 20 mm panels throughout, not laminated as I often have the
question.
What you see is a rebate for the rear panel, not laminated panels.

Chamfering of driver holes is important, please read here:
http://www.troelsgravesen.dk/chamfer.htm
Chamfer driver holes to around 5 mm from driver rebate on outer front
panel as seen above and turn around.

Mark diameter of chamfer as seen above, route for driver holes on inner
front panel and chamfer holes to around 5 mm from driver rebate.
This way drivers have free ventilation from the rear.

Remove the W12CY003 rubber boot. The boot is so large it cannot pass
through the driver hole.
Make sure the wire hole is completely sealed from the bass drivers. See
here.

The rubber boot looks good but does no good for performance.

Eight layers of acoustilux at bottom of cabinet.
CABINET DAMPING
Cabinet damping:
Add bitumen pad to all internal panels except front panel and only one
side of the midrange rear panel.
Add 8 mm felt to all internal panels.
Add 8 layers of acoustilux to bottom of cabinet.
Add 4 layers of acoustilux in cavity behind midrange cabinet.
Add 2 layers of acoustilux behind midbass drivers.
Add 50 grams of sheeps wool to midrange cabinet.

Two layers of acoustilux behind 18W drivers on rear panel.
Midrange cabinet stuffed with 50 grams of wool.

Crossovers in place.

Twin terminals for bi-wiring/amping.
MEASUREMENTS
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A few comments on
MEASUREMENTS before you start interpreting the readings below.
First of all, if we think measurements will
tell us how a speaker sounds, we're wrong. The perception of sound is
way too subjective to be reflected in any measurements we can perform. A
loudspeaker system is meant to give us a satisfying idea of an acoustic
event and for some people a pair of 5 USD ear-plugs are enough, others
spend 200 kUSD on a truly full-range pair of speakers - and the latter
may not be happier than the former.
Measurements may give us an idea of tonal balance of a system, i.e. too
much or too little energy in certain areas, although dispersion
characteristics play a vital role here. A two-way 7+1 and a three-way
7+4+1 may display similar horizontal dispersion, yet sound very
different. Measurements may tell us about bass extension if far-field
measurements are merged with near-field measurements. In addition to
this, ports may contribute to bass extension. Most of we diy'ers do not
have access to an anechoic room for full-range measurements from
20-20000 Hz.
What cannot be seen is what kind of bass performance we get in a given
room. Bass performance is highly dependent on in-room placement of your
speaker and the same speaker can be boomy in one place and lean in
another. Actual SPL level at 1 meter distance and 2.8V input is useful
for en estimate of system sensitivity and combined with the impedance
profile may give an idea of how powerful an amplifier is needed to drive
the speaker to adequate levels.
What measurements do not tell is the very sound of the speaker unless
displaying serious linear distortion. The level of transparency, the
ability to resolve micro-details, the "speed" of the bass, etc., cannot
be derived from these data. Distortion measurements rarely tell much
unless seriously bad, and most modern drivers display low distortion
within their specified operating range.
Many people put way too much into these graphs and my comments here are
only meant as warning against over-interpretation. There are more to
good sound than what can be extracted from a few graphs. Every graph
needs interpretation in terms of what it means sonically and how it
impacts our choice of mating drivers, cabinet and crossover design.
What measurements certainly do not tell is the sonic signature of the
speaker, because speaker cones made from polypropylene, aluminum,
Kevlar, paper, glass fiber, carbon fiber, magnesium, ceramics or even
diamonds all have their way of adding spices to the stew. Nor do
measurements tell what impact the quality of the crossover components
add to the sound, from state of the art components to the cheapest of
coils and caps, they all measure the same if values are correct, yet
sound very different.

Above can be seen the impact of the edge coating before (red) and after
(green).
The dip comes at 500 Hz comes from the width of the baffle, 70 cm, equal
to the wavelength at this frequency.

W12CY003-EC on actual baffle displaying response from 200-10000 Hz.
Now, one thing is measuring a driver on an "infinite" baffle, another
thing is placing it on real-world baffles.
I couldn't be more happy with the result above. This is as good as it
gets.

Above the Full Monty, merged with near-field response @ 250 Hz. So far,
the best 4" I have ever measured.

W12CY003-EC horizontal dispersion. Very even response up to 3600 Hz from
0-10-20-30-40 deg. off axis.
Measuring a speaker this height and with such shallow crossovers pose
quite a problem as I can't measure at proper distance to capture the
true integration of all drivers. With 1st order crossover we also have
significant crossover lobing, which makes it even more troublesome.
Here's the simulation that better capture what's going on:


Summed response of midrange and tweeter driven from crossover.

Bass drivers' response merged with nearfield response @ 200 Hz, port
contribution included.
Red = without crossover, green = with crossover.

Final system impedance. Minimum 3.7 Ohm @ 160 Hz.
Generally this is a very easy load and my 32 wpc tube amp has no trouble
running these speakers louder than they should and my 64 wpc bridged
tube amps just love them.
SPEAKER-KIT
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Kit comes in three version with various
capacitors and coils. Check file below.
For level 2, the Amber-Z capacitor for tweeter is replaced by
Alumen-Z.
The bitumen
pads are optional and must be added to your order.
All kit and component prices may be subject to
change and are always to be confirmed by Jantzen Audio Denmark.
Download Kit
Sale Presentations:

All technical questions to
troels.gravesen@hotmail.com
All questions regarding purchase of
kits, please mail Jantzen Audio at
contact@jantzen-audio.com
CROSSOVER-LAYOUT
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Mid-tweeter section layout

Amber-Z for tweeter. Click image to view
large.

Bass driver layout


Use
dowels
or screws to make sure the heavy coil stays
in place.

R3 i just about able to reach the wires of
C2. Add insulation not to short on the Alumen-Z alu tubes.


Speaker wiring


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