12-02-2023:
Hello Troels,
It is getting close to two years since
I bought my kit. Life gets in the way of hobbies leading to an on and
off build effort. The entire experience was no less rewarding. I really
enjoyed the process. I found the kit instructions were very well put
together and easy to follow. Thank you.
It is rewarding to listen to speakers
one has built. I imagine even more so for you as the designer. The only
trouble is, it is hard to not think back and be critical of every step.
I am left wondering if it was done right or could have been done better.
I followed the plans to the best of my abilities as originally designed.
One variation being the plywood available in my area. Baltic birch euro
ply is hard to come by so I ended up with slightly thinner but the best
cabinet grade plywood I could get locally. All cuts were made with a
circular saw and a homemade guide. This setup creates a challenge to
make perfectly square cuts, not always perfect, but I am pleased with
the result.
Here are a few of my listening notes
for anyone that might be interested. Sound is subjective, so others may
not hear what I hear. I must say upfront I am very happy with the over
all sound. I recommend the build.
One thing I thought was striking is
how much the dynamic range of talk talk's spirit of eden displayed
itself while playing on LP. It sounded more natural compared to my
previous speakers. I think this goes to show the magic of higher
sensitivity speakers or maybe lower distortion and the overall quality
of design.
Listening to the piano of Dario
Lessing's Moonchild. The tones are represented beautifully, and the
subtle sounds of the room and atmosphere bring life to the recording I
believe the artist intended me to experience. These subtleties can get
lost on other speakers I have heard. The experience this provides me
brings joy in feeling this build was well worth it.
I had an opportunity to show off my
vinyl pressing of Earthless - Live in the Mojave Desert while i had some
friends over. With the volume cranked up to fill the house, the guitars
screamed with no distortion, or should i say beautiful distortion. Yes!
These speakers can rock! Very impressive.
On some recordings, I find the cymbals
and female voices to be harsh/sibilant, on other recordings, I call it
clarity. My previous build with ribbon tweeter possibly lacked a little
sparkle in this range. I find this harshness less noticeable after break
in and listening time. My friend comments on how he really liked the
tweeter.
I initially found myself looking for a
little more punch on the lower half of the percussion. The drums seemed
a little distant in the mix. Room acoustics play a large role here.
Perhaps this bass response is struggling with room/speaker position
issues. Hopefully it isn't related to my construction abilities. I had
to increase subwoofer gain and play around with sub position and phase
to help match the more efficient speakers in their current placement. I
ended up building some stands that are lower to the ground that tilt
back at an angle like the position of the JBL and KLH. After this
positioning, giving them a little more room to breathe, and a month of
play time, the bass response is much improved. Listening to Tool's Fear
Inoculum, the drums are represented well on an incredible sound stage.
Living in Tennessee, I have the
opportunity to collect some great bluegrass albums. I played Magnum
Banjo with dueling banjos in stereo. You get the sense they are standing
right there in your room clear as can be. The mid range on these
speakers is just wonderful.
I built some grills with metal frames
sold for window screen replacements and covered them with acoustically
transparent cloth. I think they sound and look good with the grills but
they usually stay off. The drivers are just too cool.
My analog playback is Rega P1>Parasound
P5>emotive SS Amp. Digital goes through my toppings D50s dac into the
parasound. The low end is supplemented with SVS sb1000 subwoofer.
Jesse
26-02-2024:
I was sitting back with the speakers
cranked up enough to fill the entire house with sound. I was playing
that Mac Miller record. Feeling good, and really enjoying the moment. I
felt compelled to share. Thanks again.
I added some feet to my stands which helps a
lot. They aren't the stiffest build but seem to do OK. I found in my
listening position a little toe out helps Soundstage a smooth response.
I did a little more tweaking on sub crossover and bass tone controls and
they sound full and even barring some tricky nodes in my open living
room.
My next project is going to be a record
storage console with drawers for the records. After that maybe a center
channel but one thing at a time.
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