A friend of mine recently bought The Grail and I brought my Karajan
box set of Peer-Gynt-Suiten 1 & 2 to hear what it could do and
immediately realised the level of transparency and ease of
reproducing e.g. massed strings. Pitch black background and every
single note clearly carved in space. A few more vinyls including the
usual woodwinds and other acoustic instruments pretty much got me
shook up. How about getting a revitalised record collection by
"just" changing the phono stage? My friend handed me his Grail and I
went home for an audition on my own system.
It took a little
time getting used to the "sound" of the Grail because it kind of
hasn't got a sound.
The Grail more directly links the phono cartridge to the speaker
membranes as though there was nothing in between. Well, there
certainly are the line stage and power amp, but I'm now uncertain of
their contribution as the Grail just changes my focus. Does my
6C45pi phono stage in fact cover for a little emphasised top end of
the Jungson amp? I installed my 6C33 SET power amps and there may be
some truth to this. Do I have to dig into another round of
interconnects? Possibly not. Is my cartridge properly aligned? I
think so, but better give another check. Is my line stage up to the
task? I think so.
As can be seen, any significant rise in performance will force you
to take a closer look at all other parts of the chain.
I picked out records I hadn't heard for a long time and heard
details I'd missed before. Apart from details and added spaciousness
the most striking thing is the apparent naturalness of instruments
and vocals. I'm writing "apparent" because I don't know how things
would sound in case I had an even better line stage and power amp -
in case there are any, which there most likely are.
My reference system (2017) is this:
Maglev turntable +
Moerch DP8 tonearm + Colibri/Canary cartridges, vdh The Grail
phono stage,
6N6P
balanced line stage,
Hypex digi amp
for bass and
SAC
Glowmaster KT88 for mid/tweeter of
ATS4. All
signal cables are made from 0.4 mm single core silver in teflon,
terminated with Eichmann plugs.
Speaker cables
are silver plated copper in PTFE.
Reference system 2019, look
here.
Maglev
turntable + Moerch DP8 tonearm + Colibri/Canary cartridges,
EAR 912 line/phono
stage, bridged
EAR
861 power amps and
Elliptocor-3
speakers. Read riaa shoot-out
here.
Reference system 2023:
http://www.troelsgravesen.dk/Diy_Loudspeaker_Projects.htm#My_System
A lot of things have changed over the years, but this doesn't
change my perception of The Grail, still a stellar performer in the
4Point/Kuzma setup:
After some time I re-installed my 6C45pi
phono stage and heard some of the same records again. In the bass
and treble there wasn't any noticeable difference and I really don't
like to pin out the treble because it's so closely linked to the
upper mid and if we think the mid is good it may well be because the
treble is extraordinarily good too, but with the Grail the midrange
stood out in an exceptional way with more air and spaciousness
around instruments and vocalists, a naturalness that we can only
appreciate once we've heard it and realise the level of colouration
we may have gotten used to.
With the Grail back in the system Jazz at the Pawnshop now has the
same spaciousness and depth as my 24 bit file. I guess a 45 rpm
Pawnshop would leave 24 bit in serious trouble but unfortunately
this is not available (to my knowledge).
Only minor reservation was with my Jungson power amp delivering a
slightly emphasised upper treble but changing to SAC Glowmaster KT88
this proved to be a Jungson related issue. With the Glowmaster the
treble is smooth and silky although I hate these expressions. My
ScanSpeak beryllium domes have never sounded better - and more
right. Smooth when music is smooth and rough when music is rough.
There's nothing "silky" about a violin.
Bottom line: Does it really get any better than what the Colibri and
Grail can dig out of the grooves? For sure different, but better?
2022: I had The Grail in 2013 and now, some 9 years later, nothing
has changed. In daily life I use the built-in phono stage of my
EAR-912 pre-amp, but from time to time I dust off The Grail and have
another listen to this magnificent phono stage. I can see recent
model has become white and with wooden side panels. Looks really
nice and I may make some oak panels for my own amp - just for the
fun of it.
Michael Fremer likes this phono stage a lot as be read
here.
Above the power supply for the Grail.
*2023prices has risen to more than 8000 EUR
here in DK.
This Grail phono stage
appears to be a product where everything has been put into the sonic
performance and I guess it's also a constructor's (Jürgen Ultee's)
personal statement to what solid state circuitry can do when done
right. Nine out of ten stars as there must be room for improvements
in any rating - and indeed there today are a more expensive versions (fully
balanced) of this almost - Holy - Grail.
All Grail details you can find here at the
vdh website including several reviews giving more in-depth info
on the development of the Grail. Only thing to ad here is this: I'm
buying one. I need this holographic midrange in the development of
speaker systems. It's embarrassing to blame drivers for lack of
performance and to find out your front end is the bottleneck.
The Grail is a significant improvement over my current phono stage,
but considering the cost some people might find they could live with
less. We pay dearly for these small increments of sound
improvements.
2022: Today with my better amps, turntable and not least Ortofon
Anna-D cartridge I still enjoy The Grail thoroughly. It will follow and rise the
performance of whatever you put in front of it.
A friend of mine was getting rid of all his LPs (!) and in the stack
I had was a Lotte Lenya singt Kurt Weill recording.
This is a 1955 mono recording and sounds like the signal from the
microphone(s) were taken directly to the cutting head with no processing in
between.
Despite the obvious
shortcomings of the recording, this LP has an unbelievable presence and
you-are-there feeling and the Grail certainly helps getting as close as possible.
Measurements
Measuring the Grail with the CLIO system is
pretty boring. This phono stage is flat like a pancake from 10Hz to
80kHz. To the left via MM inputs. You can't see the difference
between left and right channel. To the right via MC inputs. Blue is
phase for both graphs.
I use the Hagerman
anti-riaa circuit board for all measurements. CLIO was set at
-6.4 dBV output to make 500 mV output at 1 kHz with the Hagerman set
to 40 dB for MM measurements and 60 dB for KC measurements. The CLIO
was set 192 kHz sampling rate giving a frequency span up to 80 kHz.
I guess we should pay notice to the minimal phase shift. My former
transformer/tubed RIAA certainly does not look like this, although
not bad at all.
Some interior pics. Enjoy!
Above the very phono section with the four inductors to the right.