Hi Troels,
I finally completed my lengthy build of your MUN-17s and have had them
in my living room for about six months now. They replaced my SEAS 3-Way
Classics, which I finished about five years ago. The Classics were
lovely speakers, having the combination of a nice open midrange and
great listenability; unfortunately, they weren't an ideal match with my
zero-feedback 300B amplifiers, despite the friendly impedance and
sensitivity of the speakers, and the bass was a little woolly and poorly
defined. I stress that this was a matching issue, rather than a
fundamental weakness of either speakers or amps.
This was a very extended project: it took me well over a year to collect
the crossovers and drivers, and a further year or so between buying the
first batch of timber and applying the last coat of lacquer to the
veneer. The MUN-17s are constructed of layered plywood with MDF baffles
- the dimensions are identical to yours, except that I have extended the
covers down over the woofers, necessitating a reduction in the width of
the lower baffles and hence an increase in depth by about 3cm to
maintain the same volume for the woofers. The outside of the cabinets
are veneered in American oak veneer, while the baffles are finished in
ash veneer, sprayed satin black, and everything was finished off with
four coats of clear satin spray lacquer.
The mid-treble is driven by my 300B monoblocs, of Kevin Kennedy's
design, and I installed the Hypex PSC2.400D plate amps for bass duties,
as described on your original project page. The rest of my system is a
Funk Vector-modified Pink Triangle with Funk Firm FX-R arm and Lyra
Delos; Marantz CD6005; and DIY Vacuum State RTP3C preamp.
When I started adjusting the bass levels and equalisation I found that,
because the speakers were perforce installed only about 15cm from the
back wall, the low-frequency boost supplied with the default filter
settings made the bass slightly overblown, so I deactivated it. I found
I had to invert the output of the Hypex amps, since the valve amps have
inverted polarity. I plan to make some proper measurements over the next
few weeks.
What can I say about the sound? I might say the MUN-17s are easy to
listen to, since there is nothing to object to about the sound, no bass
boom or over-emphasised frequency ranges, nor are they tiring over an
extended listening session. At the same time, they are really hard not
to listen to - there is so much happening in every recording that my
attention is constantly being drawn to the music. On good recordings,
the sound is huge with plenty of realistic presence and detail, as well
as great imaging. I don’t know whether it is the beryllium tweeters, but
I find that with these speakers vinyl surface noise is less intrusive
than with any other system I have had. In summary, I am very pleased!
Best regards,
Alex
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