Monacor SP200X + Fountek NeoCD3
Copyright © Troels Gravesen
A quick and easy 2-way with 90 dB/2.8V
sensitivity.

The Monacor SP200X is a
cost-effective fullrange driver, built on
wellknown premises and also sharing some of the bad
qualities like a thin dust cap over an un-vented and
un-damped magnet polepiece. The small whizzer cone really
doesn't do much as can be seen from the frequency
response profiles below, and it's better cut off.
The response in the 2-10 kHz region is - as often seen -
5 dB above average level and it doesn't sound good at all
- at least on-axis. The sensitivity is around 90 dB/2.8 V
and the voice coil resistance is high, making it an ideal
partner for valve amps. Listening to the SP200X - as is -
is special and a lot of people swear to this approach,
having a driver without any crossover components at all.
To me it's a narrow, beaming midrange supplemented by
poor treble dispersion and I don't like it. It's possible
to add a series notch filter to smooth the response in
the treble region and 0.82 mH\\2.5 uF\\10 ohms (all in
parallel) make a nice and smooth response from 1-10 kHz.

However, I wanted to hear what the Fountek
NeoCD3 ribbon tweeter would do to the overall performance
of this driver and it doesn't eliminate this special
"fullrange" sound, having a large cone doing
most of it - up to 2.5 kHz - but it certainly improves
the treble considerably. The filter is 4th order and if
you think 4th order kills transient response, think
twice. The SP200X is not as "fast" as the 9710,
but it comes close. I won't elaborate much on what I mean
by fast, but it's mostly linked to what happens in the
midrange. When a drummer hits the snare drum hard, you
will recognise the difference between the 9710 and the
SP200X. The 9710 is phenomenal in this respect, but the
SP200X may have an overall more neutral sound. Right now
I dismantling a 9710 driver to see how it is made and
this will be reported soon. This was a driver ahead of
its time.

A
classic fullrange driver made from long fibres pulp and
with a coated fabric surround.
The whizzer cone is removed here and a phase plug (from a
SEAS driver) inserted.
Some of the very thick rubber holding the surround was
cut off. Not particularly nice looking.

The
unmodified driver.
The Cabinet

The
cabinet is the same as used for the Philips 9710 driver:
37 litres and a vent tuning of 45 Hz. Internal depth is
280 mm.

Use
bracing to increase rigidity, but don't overdamp the
cabinet.
I've had a suggestion on a Voigt horn for
the SP200X from Rodolphe in France and he mails this link
(page 6):
http://www.cinetson.org/phpBB2/viewtopic.php?t=2778&highlight=sp200x

Some
day I may try this option - long time since I did a
quarterwave...
The Crossover

Crossover
and LspCAD prediction of frequency response.
Measurements

And
here's real life performance. Very close to LspCAD
prediction.
Red = SPL, Blue = minimum phase.

Reasonably
smooth roll-off characteristics and a nice phase
tracking.
Point of crossover is at 2400 Hz.

Impedance
and phase of individual drivers. The ribbon with 100 uF
in front.

FR
of modified (red) and un-modified driver (blue).

Horizontal
dispersion at 0 (red),10 (blue),20 green),30 (yellow) and
40 (purple) deg.

Vertical
dispersion from 1 metre distance at a level between B and
T:
Red = on-axis, blue = +10 cm, green = +20 cm, yellow =
-10 cm, purple = -20 cm.
This is much better than anticipated and these two graphs
suggest an overall
even power response, which was also expected from the 4th
order filter.
But the SP200X is doing much better than expected.

Step
response. Note the smooth decay of the second peak.
The SP200X really performs well.

Impedance
of system. If you add an LCR circuit to the crossover,
you get
a very valve friendly performance with a basic impedance
of 7 ohms. A rare sight.
The LCR is: 10R + 18.2 uF + 0.82 mH (all in series across
input terminals)
|