It's no secret a lot of high-end turntables are
manufactured in China to custom specifications - and sold at horrific
prices. Not saying prices are unreasonable, only beyond reach of a wider
audience. However, critical turntable parts may appear on eBay from time
to time and essentially we only need three things to reach into
high-end turntables: The platter, bearing and motor. The rest is
trivial, rubber belts, tone-arms, cartridges, etc.
Magnetic levitation has been around for decades
but few have done something about it until small neodymium ring magnets
became available. As can be seen from the first photo, not
much is needed to make 12 kgs floating in the air - almost. We still
need a bushing to keep the platter stable horizontally, but the friction
of the spindle + steel or ceramic ball against a thrust plate is gone.
Wonder why not more common. Even the
Döhmann Helix 1 turntable use a traditionally spindle on a ceramic
ball. Arguments against magnetic levitation may be vertical movement,
but this should be a matter of mass. Whatever,
I took my chances and bought a 12 kg aluminum platter and a Jasmine
motor and asked for an extra spindle so I could use flat belt or one/two
round belts.
The Jasmine motor gets the platter going at 33
rpm in 3 sec. Nice! The flat belt supplied is interesting, being rather
rigid, but needs a little help from time to time finding the middle of
the pulley. I ended up using the twin round-belt pulley and use two
rubber belt. Works without any problems and I take notice even the
serious high-platters are driven this way. The newest trick is to use
two rubber belts with different elasticity! Try it out.
A one-evening quick mockup plinth got me going
and it kept me up all night, pulling out records that I previously
thought so and so, but here came to life with a significantly reduced
noise floor compared to my beloved Lenco decks. The difference is not
subtle, not at all. Improvement all over the spectrum, from bass to the
highest treble. The low noise floor is something that makes listening at
low level much easier.
Later I made a new plinth as seen below, and it's
probably not the final. Just gives ideas of what to change next
time.
All in all, a significant step up the ladder to
aural nirvana.

Basic ingredients in high-end turntables, platter and motor.
The platter
is 60 x 300 mm and weighs 12 kg. This is all info available.
First time set-up, just to see it spinning.
Download Jasmine manual
here.
The links to these products change from time to time - if still
available.
I don't keep track of the items, so please do not ask. Search eBay.

This is what you get from your money. 12 kgs platter and spindle with
neodym magnets.

Mockup taking shape. Adjusting SME tonearm pivot distance. The SME
templates following the kit helps a lot.
The Colibri is so nosy I had to pull back the arm some further 5 mm.

SME and DP6. Double round belts.

Here DP8 and SME.
Should I make a plinth for one or two arms? Having choices we often end
up only using one all the time.

The "final" plinth. Separate plinths for arms and platter, however glued
together by rubber glue.
Made from 4 x 20 mm Baltic birch with 4 mm bitumen damping layer.

Arm bases in place. 20 mm black MDF standing on 20 mm alu tube spacers.

Time to step back and take a look.
Well, every fist time is a prototype, but I think I'm close to where I
wanted to be. Still need a more firm motor support.
Hmm... kind of looks like my home alter - and kind of is. My preferred
musical source.

The mockup sounded better than this one.
Hmm... turned out the alu tube
pillars for the arm boards were too resonant. I think.
Smaller arm boards and solid BB support. VTA, Azimuth and hangover check
up. Now as good as before.

Final twin-Moerch DP6/DP8 set-up.
I bought two Jasmin tone-arm adaptors allowing us to slide the arms back
and forth. So much needed to get the overhang right.
You may notice the SME head-shell handle. The Moerch handle sucks. The
SME was made decades ago and this is how it should be done.


Are you into Moerch tonearms, this cartridge alignment protractor is a
must.
Comes from Poland
here at eBay
for ~20 quid. Highly recommended.

Eventually - after a year - I realised I use #2 tone-arm rarely, almost
never.
Thus, new plinth with the DP8 arm and motor to the back. With 100 cm
rubbers the pulley needs to be some 240 mm from the center tap.
I had to rotate the top plate of the motor (drilling holes and making
threads) to achieve that and have ordered 98 cm rubbers to see if I can
rotate it back and have dials and switches in optimum position. I
couldn't rotate the entire motor and still have the power plug to the
rear.
BTW: I've used this Michell fasterner for decades and I recently bought
one more for my workshop turntable Denon
DP67L. It works and I don't like those platter weight variants. Why
place a heavy chunk of metal adding to the friction of the spindle
towards the steel/ceramic ball? Well, here we don't have any ball, but a
heavy weight would change VTA.

I had some new 980 mm rubbers and they work fine, but would advise
having the pulley centre some 225 mm from the spindle centre with 980 mm
rubbers. With the current optimal positioning of the motor top plate,
the pulley centre is 222 mm from the spindle.
The motor housing has 3 strips of vertical self-adhesive foam strips to
keep centered in the hole.
98 cm belts bought on eBay
here.

Latest addition is a My Sonic Lab Eminent EX cartridge. For this
cartridge I use my SME 309 GD tonearm. More to come on this new
cartridge.
Go to MSL website
https://mysoniclab.com/

Click image to view large.
These
Clearaudio belts, 92 cm, better suit my set-up.
2022
The Maglev is long gone and I decided to leave all turntable trouble to
Kuzma:
The MSL cartridge stayed. I love this cartridge and think it ranks among
the very best next to my Ortofon Anna-D.
http://www.troelsgravesen.dk/Kuzma.htm
http://www.troelsgravesen.dk/Kuzma-StabiR.htm
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